Raqs Al Asiah
Egyptian dance is influenced by four regional subdivisions: Fellahin (farmers), Nubi (Nubian), Bedawi (Bedouin) and Sa'idi (Upper Egyptian). These four cultural traditions are grouped under the single heading of Sha’abi ('folk'). Other influences include Pharaonic, Copt, and Islamic traditions. Two thousand years of successive occupation and the resultant socio/economic and political upheaval have also impacted on the dance. However it is the Sa'idi tradition that still holds evidentiary links with Egypt's pharaonic history, and therefore it provides the foundation principles and structure which distinguishes Egyptian dance.
Read the complete essay; About Egyptian Dance.
'Collette' from Reve d'Egypte C1907
The generic 'Belly Dance' or 'Middle Eastern Dance' found in restaurants, nightclubs, street festivals, cabaret, etc., has become synonymous with Egypt principally in the last 100 years, however it owes more to the 'Orientalist' perspective and commercial expediency. For clarity on the development of Belly Dance and why it is has been accepted so readily worldwide read 'About Belly Dance'.
Tahtib, Ancient Martial Art
Egyptian Dance is not religious in context but a secular theatre art form with some primary source reference to antiquity. It also references many aspects of the history of Egypt including movement principles of the Sufi, Sa'idi and Nubian tradition.
It is important to note that a link between Egyptian dance and ancient Egyptian ritual has not yet been substantiated by scholars. The 'Goddess' concept is a Western perception. If you want to know more see, About Egyptian Dance, or About Belly Dance.
Juliet Le Page
Costuming is inspired by the traditional clothing still worn throughout Egypt, and therefore we do not dance exposing flesh or use excessive dangles, baubles and coinage. These additions simply detract from genuine artistry and form. In fact they were specifically added for the purpose of attracting attention, and not to enhance any dance qualities.
Working in the field
The head wear worn in Egyptian Dance is based on traditional secular Egyptian dress. The manner in which the scarves are worn and types of scarves/veils are not a reflection of any religious teaching or practice, and we do not cover the face. Throughout Egypt the simple cotton head scarf is worn to protect the hair from heat and dust during the working day, particularly by the Fellahin (peasants/farmers), and also in the Baladi quarters. In Egypt, this square cotton scarf is called a mandeel, and in the dance it is used primarily for Egyptian Sha’abi (folk) interpretation. The Tarha (veil) is often used in Baladi.
The Djeb Pillar, symbol of strength and stability.
In this training program the aligned body works with gravity and not against it – which means you dance stronger for longer. Benefits/improvements begin to become apparent within the first 5 weeks. The focus on full physical integration and breathing techniques means that your posture and strength is constantly improving. I have witnessed some inspirational postural/fitness transformations during my time as a teacher.
It is not necessary to attain performance standard to experience the many benefits this dance form affords. It has been proven time and again that regular attendance to class delivers substantial improvement in physical fitness, and other benefits that have to be experienced to be believed! Fluid integration, functional strength and postural alignment cannot be achieved solely through isolated training/movement - even with the best technique.
See Elemental Egyptian Dance and Movement — Testimonials or Fitness Benefits — the results speak for themselves…
If you have a question please email juliet; juliet@eed.com.au